Chapter 24: By permission of the author and University of Minnesota Press. Dick Testamentary Trust/Wylie Agency Ltd. Chapter 23: By permission of Penguin Random House LLC and The Philip K. Chapters 21 and 32: By permission of the authors and Extrapolation. Chapter 17: By permission of the Diana Finch Literary Agency. Chapter 16: By permission of Farrar, Straus and Giroux. Chapter 14: By permission of the author and Fordham University Press. Chapter 13: By permission of the author and The New York Review of Science Fiction. Chapter 11: By permission of the author and College English. Ballard’s Estate and the Wylie Agency Ltd. Chapters 7, 8, 12, 18, 19, 20, 28, 30, and 36: By permission of the authors and Science Fiction Studies. Chapter 6: By permission of the author and Mosaic: A Journal for the Interdisciplinary Study of Literature. Chapters 5, 10, 26, 27, 31, and 35: By permission of the authors. Chapter 4: By permission of the Estate of Judith Merril and the Virgina Kidd Literary Agency. Chapter 3: By permission of Spectrum Literary Agency. Recommended further reading 552 List of contributors IndexĬhapter 2: By permission of United Agents LLP. Report from planet midnight Nalo Hopkinson 517įuture histories and cyborg labor: Reading borderlands science fiction after NAFTA Lysa Rivera 530 Dillon 470īiotic invasions: Ecological imperialism in new wave science fiction Rob Latham 487Īlien/Asian: Imagining the racialized future Stephen Hong Sohn 503 Indigenous scientific literacies in Nalo Hopkinson’s ceremonial worlds Grace L. 443įurther considerations on Afrofuturism Kodwo Eshun 458 Science fiction and empire Istvan Csicsery-Ronay, Jr. Part 5 Race and the legacy of colonialism 439 30 () Allison de Fren 375Īnimal alterity: Science fiction and human-animal studies Sherryl Vint 414 Technofetishism and the uncanny desires of A.S.F.R. The coming technological singularity: How to survive in a post-human era Vernor Vinge 352Īliens in the fourth dimension Gwyneth Jones 364 Virtual bodies and flickering signifiers N. Dick 295Ī cyborg manifesto: Science, technology, and socialistfeminism in the late twentieth century Donna Haraway 306 The women history doesn’t see: Recovering midcentury women’s sf as a literature of social critique Lisa Yaszek 268Īuthor’s introduction to Frankenstein Mary Shelley 291 Science fiction and critical theory Carl Freedman 225Īlien cryptographies: The view from queer Wendy Pearson 246 Progress versus Utopia or, can we imagine the future? Fredric Jameson 211 The image of women in science fiction Joanna Russ 200 The imagination of disaster Susan Sontag 188 Time travel and the mechanics of narrative David Wittenberg 149 Reading sf as a mega-text Damien Broderick 139 The absent paradigm: An introduction to the semiotics of science fiction Marc Angenot 128 On the poetics of the science fiction genre Darko Suvin 116 On defining sf, or not: Genre theory, sf, and history John Rieder 74 The many deaths of science fiction: A polemic Roger Luckhurst 59 Preface to Mirrorshades: The Cyberpunk Anthology Bruce Sterling 37Ĭybernetic deconstructions: Cyberpunk and postmodernism Veronica Hollinger 43 What do you mean: Science? Fiction? Judith Merril 22 On the writing of speculative fiction Robert A. To find out more about our authors and books visit Here you will find extracts, author interviews, details of forthcoming events and the option to sign up for our newsletters.Įditorial: A new sort of magazine Hugo Gernsback 11 Cover design: Alice Marwick Typeset by Deanta Global Publishing Services, Chennai, India Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the editor. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Criticism An Anthology of Essential Writings Edited by Rob Lathamīloomsbury Academic An imprint of Bloomsbury Publishing Plcīloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square London WC1B 3DP UKīLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc © Robert Latham and Contributors, 2017 All rights reserved. Also available from Bloomsbury Apocalyptic Fiction, Andrew Tate Science Fiction: A Guide for the Perplexed, Sherryl Vint
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